Average Reviews:
(More customer reviews)Decades after the fact, this collection of essays is a bit of a period piece, but some of it holds up quite well. The subject of the famous title story -- which first appeared in The Saturday Evening Post in 1967 -- is about the Haight Street scene and, more to the point, the breakdown of human connection that Didion believed that scene represented. She is similarly gloomy about New York in "Goodbye to All That," and about California in "Some Dreamers of the Golden Dream." Though she was in her late 20s and early 30s when she wrote this material, she clearly saw much of what was going on in the 1960s as the activities of a different generation from her own. In any case it's these pieces, along with one about John Wayne, that stand out here, and remain, after all these years, pretty close to extraordinary. Some of the other material (a piece about Joan Baez, etc.) is less memorable. I bought this in the hardback Modern Library edition with a useless introductory essay by Elizabeth Hardwick (but a great photo of Didion on the front cover). Should've gone with paper.
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The first nonfiction work by one of the most distinctive prose stylists of our era, Slouching Towards Bethlehem remains, forty years after its first publication, the essential portrait of America— particularly California—in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.
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