Staying Up Much Too Late: Edward Hopper's Nighthawks and the Dark Side of the American Psyche Review

Staying Up Much Too Late: Edward Hopper's Nighthawks and the Dark Side of the American Psyche
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Edward Hopper's paintings, well known to almost everyone in this country, are unique in that they convey a sense of loneliness, yearning, suggestions of dark thoughts, pessimism, and hopelessness - not exactly the moods one would want to examine on a daily basis, but certainly painterly images that cause us to pause when we encounter them in museums and collections.
Gordon Theisen is a fine writer and in this book STAYING UP MUCH TOO LATE: EDWARD HOPPOER'S 'NIGHTHAWKS' AND THE DARK SIDE OF THE AMERICAN PSYCHE he manages to successfully use the famous night diner painting of the artist to address the current mental state of affairs seeping into our consciousness. He wisely covers every aspect of the artist's life and work, giving us the necessary details of his life and his idiomatic stance in American art, spreads those ideas into his output thus assuring us that the one painting of the title is not an isolated image, and then begins to apply his ideas to our cultural status - at times not comfortable, but always creatively informative.
If Thiesen strays a bit too far from his title subject, drawing on his own interpretation of concepts he perceives as more than just legitimate diversions, then he can be forgiven by the reader who want more from an author than a term paper presentation. Thiesen indulges in reminiscing about our cultural icons such as diners, cigarettes, coffee, plastic, jazz, war, sex, film noir, and personality disintegration in a time of easy drugs AKA medications. Perhaps these are topics many would not elect to explore, but then they are bookmarks to the greater understanding of where our current culture stands.
If indeed our artists are our shamans then Hopper as Thiesen presents him is a prophet of sorts. Not that the book is depressing as the Nighthawks painting: Thiesen has the good will to engage us in the positive aspects of all of the negatives listed above. There is humor here, but it is humor with an edge. This book, along with other contemporary 'paintings as examples of current thought' books by such authors as Biel and van Hensbergen in their evaluations of Grant Woods' American Gothic and Picasso's Guernica, once again proves that art gives us more than visual delight: art gives us valuable food for thought...and change. Grady Harp, November 06

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