A Different Mirror: A History of Multicultural America Review

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(More customer reviews)This is an excellent multi-cultural account of American history. Takaki focuses on the perspectives of many different cultural groups, providing several interesting, unique and sometimes sobering stories of America's history. After reading this book, you may find yourself feeling cheated by your grade school history lessons. This work is fair, honest, and *VERY* well documented, with endnote references on almost every page.
I don't believe Takaki has a score to settle with this book. Nor do I believe he is racist or *overly* slanted, but I can see how some might feel that way. His focus on nontraditional perspectives seems to me an effort to balance the scale a bit by emphasizing the viewpoints, stories and facts that have been under-emphasized in the past. Perspectives include those of the Irish, Japanese, blacks, Native Americans, and others as various times throughout American history. To me, Takaki does a very good job of putting the reader in the mindset of the people at a certain place and time.
Stories in this book are not sugar-coated, which may at times be unsettling, but the facts and research that back the stories up are indisputable. Takaki uses many direct quotes and indirect references to underscore his points. His accounts are credible, believable and educational. This book should be required reading in all high schools, but should not be considered a replacement for traditional American history texts. It is more a book about cultural perspectives in history than about historical facts. As an example, Takaki will devote many pages to very specific events in history to catch a specific cultural perspective, while completely glazing over many larger and arguably more historically significant timeframes.
The book is a good read, but because of several references, chapters should probably be read in order. For example, at the start of the book Takaki sets up the story of Shakespeare's Tempest as a point of comparison throughout. (It was tempting to me to skip around, since each perspective seems well encapsulated in a chapter.)
I hope you enjoy it!

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When the Emperor Was Divine Review

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(More customer reviews)When people--any people--cease to be seen as individuals, they become "them"--the faceless, nameless "enemy." In this exquisite short novel, a shameful episode of American history is re-examined--the internment of Japanese-Americans during World War II. It was a time when everyone of Japanese descent was somehow "them"--the enemy. And in becoming "the enemy" they lose much of what it means to be human.
The tiny family--mother, son, daughter--is devastated when their father is suddenly taken away in his robe and slippers, suspected of who knows what. A few months later they are forced to give up everything and move to a dusty prison camp somewhere in Utah.
After more than three years they return home, changed and traumatized. Eventually they are reunited with the father, but he too is changed, a broken shadow of himself.
The story is told in eloquent, simple, spare prose, in small but telling details, in the fragmented but powerful insights of the two children and their mother. It is never over-stated, never sentimental, yet it will bring you to tears.
The book concludes with a short but powerful epilogue, a fierce and powerful essay on what it means for anyone to be "them," to be "the enemy."
This is a painful book, but it is important for you to read it. I cannot recommend it too strongly. Reviewed by Louis N. Gruber.

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Hotel on the Corner of Bitter and Sweet Review

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(More customer reviews)I was excited to read this book because I knew it was set in Seattle during the internment of Japanese Americans during World War II, and that's a time period that has always interested me. I expected an interesting trip through history, but what I got was so, so much more than that.
Henry Lee is still mourning the death of his wife when he learns that the belongings of Japanese Americans hidden in the basement of Seattle's Panama Hotel for decades have been discovered. Henry is drawn to the basement, and what he's searching for there opens a door he thought he had closed forever. The story switches back and forth between 1986 and the 1940s, when a 12-year-old Henry attending an American school (he's "scholarshipping" as his father likes to say) meets another international student working in the school kitchen. Keiko is Japanese American, the enemy according to Henry's father, but the two become best friends before her family is imprisoned in one of the relocation camps.
This book does a phenomenal job exploring the history and attitudes of this time period, and Ford's portrayal of Seattle's ethnic neighborhoods is amazing. But really, the thing that pulled me into this novel the most was the richness of the relationships -- Henry and Keiko, Henry and his father, Henry's mother and his father, and Henry and his own son. HOTEL ON THE CORNER OF BITTER AND SWEET looks at the best and worst of human relationships, the way we regard others, the way we find ourselves reenacting our relationships with our parents with our own children, the choices we make along the way. Mostly, though, this book reminds us that there is always room -- and time -- for forgiveness and redemption.
I finished this book in tears, moved by the people who came to life so vividly in this story and sad that it had to end at all. HOTEL ON THE CORNER OF BITTER AND SWEET is a perfect, perfect choice for book clubs or for anyone craving a compelling story about human nature at its worst and at its best. An amazing, amazing book. It will be one of your favorites, I can almost promise.

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