Showing posts with label ww2 movies. Show all posts
Showing posts with label ww2 movies. Show all posts

In Harm's Way (1965) Review

In Harm's Way (1965)
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It always seems that WWI movies covered the European Theater more, as far as Blockbusters are concerned... "Longest Day", "Bridge to Far", "Patton", "Guns of Navarone", "Saving Private Ryan". Sure the Pacific had the multitude of John Wayne Movies, but true epics either dealt with Pearl Harbor or Midway, nothing else existed it seems.
Then I see "In Harms Way" . This movie is a true classic, with a superb cast including Wayne, Kirk Douglas, Dana Andrews, Patricia Neal (may be one of her best), Henry Fonda, Burgess Merredith and many more.
This a "true grit" battle of the Pacific tale which we need more of. Its description of sea battles both before and after are classic, and the movies lenght is not noticed since you are continually involved in it.
Yes, the movie is in black and white, but it seems its supposed to be. The filming and actions sequences for its day are outstanding, and watch you bass speakers or you will lose some china! Seeing this movie on REGULAR TV is not a good idea. They cut more than 20 minutes from it, ruin its continuity, and it is NOT the same movie. networks would rather sell than eep the movie intact.
WATCH THE FULL LENGTH VERSION! Is like seeing a new movie! A give this movie a standing thumbs up. This is one of the Dukes BEST.

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Epic study on the bombing of Pearl Harbor and the effect it had on so many relationships.Genre: Feature Film-DramaRating: NRRelease Date: 2-MAY-2006Media Type: DVD

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Run Silent, Run Deep (1958) Review

Run Silent, Run Deep (1958)
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A suspensful, action packed drama, this film is one of my all time favorites. Performances by both Lancaster and Gable are right on the mark, they (especially Gable) had me believing they were actual naval officers. The scene where Lancaster relieves Gable of command is powerful, here we see two great actors at the peak of their skills. Gable's contempt towards Lancaster for the act is truly inspired (He virtually spits out his disgust here: "A fleet ship of the US Navy, with her fighting power intact, and your first command is to order a retreat", every time I watch this scene it gets better and better!). Denzel Washington and Gene Hackman recreate this scene in "Crimson Tide", but it doesn't match the intensity created by Lancaster and Gable in the scene from RSRD. One neat byproduct of this movie is that after watching it, you will have a pretty detailed understanding of what a WWII Balao class sub looks like, how the chain of command works, and what happens on a typical patrol - you will be educated and entertained at the same time, what a bargain! Nice supporting role by Don Rickles. A great, classic movie for sure, you won't be disappointed! END

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"Rich" Richardson (Clark Gable) is a hard-driving, dedicated submarine officer with a single-mindedpurposeto seek out and smash the Japanese destroyer he believes sank his former ship. Given a new command, Richardson drills his men to the point of mutiny as he relentlessly trains them for the battle ahead. At last, word comes of the destroyer's position, and, disobeying orders, Richardson finally confronts his foe, unaware that an even greater enemy lurks nearby...one who's been targeting him for a watery grave.Co-starring Burt Lancaster as Gable's executive officer, this gripping WWII adventure-thriller set a new standard for submarine pictures. "Severely, nail-bitingly tense" (The New York Times), Run Silent, Run Deep is the most exciting film about the "silent service" ever made.

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Midway (1976) Review

Midway  (1976)
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I saw the movie play in a theatre and I was greatly impressed.
I still enjoy the movie BUT! at the same time I am disappointed.
When it was released first on VHS and now on DVD I was greatly disappointed to see how much film footage has been cut out from the original theatrical release.
In its original release MIDWAY ran for almost 2 hours 45 minutes.
On VHS and DVD it runs for 2 hours 10 minutes. What happened to all the othe extra scenes???
Where is the Battle of the Coral Sea which was shown in the original movie?

Furthermore they cut out the surround sound and made it Mono.
It is ridiculous that the have a Special Feature on Surround Sound, but the DVD was made in Mono sound.
And they call this DVD a Special Collector's Edition???
Come on Universal give us the full extended theatrical release along with 5.1 Surround Sound.

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Midway [VHS]

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1941 (Collector's Edition) (1979) Review

1941 (Collector's Edition) (1979)
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I think Mike from Chicago had one too many baby back ribs. This movie is hysterical. Speilberg directed a comedy classic, and with Belushi, Aykroyd, and John Candy this comedy is of the 5-star variety.
One of the funniest movies ever made !
Hey Mike, get a sense of humor, and then watch this again. Maybe you'll laugh like the rest of us !

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1941 - DVD Movie

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Pearl Harbor Payback/Appointment in Tokyo Review

Pearl Harbor Payback/Appointment in Tokyo
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This GOODTIMES Pacific war documentary quadruple play has some technical flaws.
PEARL HARBOR PAYBACK (1945) is poorest of all: an overly dark picture and sound that includes external static and a constant 60 cycle hum (it's most noticeable over even the cheapest headphones). This is accompanied by two faint rollbars that move constantly from screen bottom to top. Original audio is mid-range only. According to IMDB, this documentary runs nearly an hour, yet here it's only 23 minutes.
The Ronald Reagan narrated two-reeler TARGET TOKYO (1945) has a nearly imperceptible hum and no visual distortion. A short labelled AIR WAR AGAINST JAPAN is visually clean but has bad audio, too heavily filtered (it's not listed at IMDB). APPOINTMENT IN TOKYO (1945) starts with clean full range audio and a decent picture. Sound deteriorates part way through and hiss increases, as if played through an audio tape head fouled with debris.
The most curious flaw is fairly brief. During an announcement of the Doolittle raid's success in "Pearl Harbor Attack," faint modern HiFi music can be heard about the movie. Its inclusion here seems accidental, perhaps a crossed circuit during mastering that caused bleed-in from another source.Content of main features--
PEARL HARBOR PAYBACK features dogfight footage of Gen. Chennault's Flying Tiger squadron. Flight crew trainees are seen, as is coverage of Jimmy Doolittle's mission to Tokyo that was launched from the deck of the USS Hornet. Because of an enemy air attack that sunk some support vessels, the Doolittle crews took off nearly twice as far from Japan as planned.
APPOINTMENT IN TOKYO tells in rapid fashion the entire Pacific air war story from homeland military production to the official Japanese surrender to Gen. MacArthur. Distributed by Warner Bros., combat footage from the Army Pictorial Service and Signal Corps is used. The Army Air Forces and the United States Navy also contributed to this project

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Tora Tora Tora (1970) Review

Tora Tora Tora (1970)
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I'm not a big war-movie buff any more (THE SEARCH FOR PRIVATE RYAN cured me) but this is a worthwhile film if you have an interest in WWII. TORA! TORA! TORA! is a documentary-type film. Think of it as a Stephen Ambrose book recorded live. The film is neither a glorified fifties war-film (IN HARMS WAY, BATTLE OF THE CORAL SEA), nor is it a Viet Nam noir-war film (PLATOON, THE DEER HUNTER). (Neither of which are particularly authentic.)
TORA! TORA! TORA! recreates war from the perspective of news correspondent-participant-observer. The story is presented from both the Japanese and American viewpoints and it is presented like a History Channel film.
It took the film crew several months to film TORA! TORA! TORA! I was living in Navy housing on Pearl Harbor at the time and a number of our friends and acquaintences found part-time jobs acting in the film. "Real" military pilots in-between rounds in Viet Nam flew some of the planes (this was 1969).
Much of the architecture in Honolulu was vintage WWII era or earlier and the rest of the island was relatively unchanged from the 1940s. The terrain looked very much as it had when my father-in-law passed through on his way to Guadalcanel and later Iwo Jima.
I cannot tell you the names of the aircraft (my husband could) but I was told that they used real aircraft from the period including the P40s the U.S. flew and the captured Zeros the Japanese flew. We drove up to Schoffield Barracks to look at the old airplanes lined up row on row. During the filming, one of these old planes crashed in a sugar cane field and burned up before the pilot could be rescued. The daily flights overhead, the real crashes, the reenactment of the destruction in the harbor, the daily flights in and out of Hickam as men and material destined for Viet Nam left and wounded and dead arrived--was all very weird.
Well, this is an excellent film. The new PEARL HARBOR relies on all sorts of technology, but if you want to see how Hawaii really looked in 1941 and how the planes really looked, and how the crews really looked, and obtain some sense of how terrifying it was to be in Pearl Harbor on December 7, 1941 this is the film to see.

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"Tora! Tora! Tora!" is the Japanese signal to attack - and the movie meticulously recreates the attack on Pearl Harbor and the events leading up to it. Opening scenes contrast the American and Japanese positions. Japanese imperialists decide to stage the attack. Top U.S. brass ignore it's possibility. Intercepted Japanese messages warn of it - but never reach F.D.R.'s desk. Radar warnings are disregarded. Even the entrapment of a Japanese submarine in Pearl Harbor before the attack goes unreported. Ultimately the Day of Infamy arrives - in the most spectacular, gut-wrenching cavalcade of action-packed footage ever. You'll see moments of unsurpassed spectacle and heroism: U.S. fighters trying to take off and being hit as they taxi; men blasted from the decks of torpedoed ships while trying to rescue buddies; savage aerial dogfights pitting lone American fliers against squadrons of Imperial war planes. It's the most dazzling recreation of America's darkest day - and some of her finest hours.

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